I just wish we had something like it over here (whisper: the British version blows). It is like, at times, a barely contained whirlwind of artistic styles and talents, which is a big testament to the skills of the editors involved. In any one issue you might find work by Kaz, Sam Henderson, Johnny Ryan, Charles Burns, Robert Leighton, Aaron Reiner, Dave Pilkey, Raina Telgemeier, etc, etc, etc. Susprised you eh? I've never failed to be astonished by the sheer energy in the magazine and I know of no other publication that so successfully mixes artists, illustrators and cartoonists from the indy and mainstream scenes. I think that the maroons who send out those Nigerian banker-scam 'phising' emails could learn a lot from cartoonists.Īnyhow, I am often asked (I've been asked twice now) 'what do you consider to be the best cartooning publication out there'? Well, in terms of sheer creativity, and energy, and space and for experimentation, I'd have to say, Nickelodeon Magazine (US). Like this: 'How are you, I hear such and such a publication is now taking emailed submissions are you aware of this?' This usually means that they have picked up an unsubstantiated rumour, but if you verify it and maybe supply a contact address, they can check it out. However, other cartoonists ask one another things all the time, but usually in a round-about way, so as not to arouse any suspicion. I mean, I've been doing this a long time and the only time 'people' ask me anything is when I'm in the pub and they say 'you're a cartoonist, do you know. Why do they ask you? More often than not they are just making it up, I think. I hate posts on noticeboards and websites where people say 'a lot of people ask me' and you think well who? Who are they who ask? I don't know people who ask.
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